Jacob Dutton Calling Alex “A Shooting Star” In 1923 Makes Spencer’S Wife Even More Like Elsa

Jacob Dutton referred to Alex as “If a shooting star could talk” in the 1923 finale, and it increases her character’s similarities with Elsa. Elsa Dutton is one of the lead characters from 1883, the previous Yellowstone spinoff that shows the family’s perilous journey to Montana. Following her role in the frontiersman drama, she’s become a critical character throughout the franchise, serving as the narrator in both 1923 and Yellowstone’s ending. Despite not being blood-related, she and Alex had a lot in common.

Julia Schlaepfer played Alexandra in 1923’s cast, and while being in an ensemble with Harrison Ford, Helen Mirren, and Timothy Dalton, she managed to stand out with an outstanding performance. She and Brandon Sklenar had incredible chemistry in the show, and Alex was a major component of some of the show’s most unforgettable and emotional scenes. She may not be a Dutton by blood, but Taylor Sheridan seemed to be illustrating that her strong personality made her a member of the family all the same.

Alex Dutton’s “Shooting Star” Description In 1923 Makes Her Even More Like 1883’s Elsa
Alex & Elsa Are Viewed The Same Way In Their Respective Shows

Jacob Dutton describes Alex to Cara after she passes in the hospital, using the aforementioned words. Jacob is essentially stating that Alex had a vibrant and fearless personality, which sounds a lot like what we knew about Elsa, who craved adventure and love above all else. Funnily enough, Elsa was also described in 1883 as “Lighting with the yellow hair,” marking an apparent similarity even in the way other characters view them. Both women were bright and bold as could be.

Both women were bright and bold as could be.

Tragically, both characters met saddening, premature ends. Elsa Dutton died in 1883’s finale, just as Alex perished in the hospital, finally reaching Montana and giving birth to John Dutton II. It’s worth mentioning Cara, as well, given that Jacob compares her to Alex. The Duttons represent many things, and it’s hard to argue at times whether they’re the heroes or the villains. One thing is clear, however, which is that these women demonstrate the most profound, positive aspects of what it means to be a Dutton.

Will Alex Dutton Narrate Yellowstone’s Next Prequel, 1944?
Alex Would Be Perfect For The Spencer-Focused Prequel

Following 1923, 1944 is intended to be the next Yellowstone prequel. Other spinoffs will likely be released first, but Taylor Sheridan wants to continue filling in the gaps of the Dutton Ranch in the 20th century. With Elsa Dutton narrating 1923, Alex Dutton taking over in 1944 seems like a fantastic choice, especially given that the show would likely revolve around Spencer Dutton raising their son. Currently, there are no casting announcements for this series at all, so only Taylor Sheridan knows.

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Many remember his role as David Hale on Sons of Anarchy, but Sheridan often recalls the difficulty of being an actor-for-hire, constantly at the mercy of casting decisions and executives. That frustration eventually pushed him to transition into writing and directing, though the early years of that career shift were anything but glamorous. The movie in question—his so-called “most challenging project”—was not the type of Hollywood breakthrough most writers dream about. It wasn’t a high-profile studio film, nor was it an indie darling that won accolades at Sundance. Instead, it was a grueling, underfunded project that Sheridan now looks back on with a mix of humility and appreciation. What made it challenging was not just the lack of resources, but the disconnect between his creative vision and the machinery of filmmaking that often stripped away authenticity. For Sheridan, who would later build Yellowstone around authenticity to ranch life and cowboy culture, that clash was a painful but essential lesson. In his own words, Sheridan noted that the experience taught him “what not to do” more than anything else. As he attempted to find his voice as a writer and storyteller, he was confronted with the realities of production—the compromises, the meddling, and the dilution of themes he cared about. It was, by his account, deeply frustrating. And yet, it hardened him. It forced him to recognize that if he wanted to tell the kinds of stories that mattered to him, he would need to do it his own way, on his own terms. That mindset is what would later lead him to insist on creative control when developing Yellowstone for Paramount. Sheridan’s quip—“I wish it was sexier than that”—speaks to his no-nonsense personality. 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Sheridan chose the opposite path. Instead of giving up or bowing to pressure, he doubled down on the importance of staying true to himself. That resilience echoes in the stories he writes—characters who endure pain, fight against impossible odds, and cling to their values even when the world tells them otherwise. Yellowstone is the ultimate culmination of those lessons. The series embodies Sheridan’s belief in authenticity, from its rugged depiction of ranch life to its refusal to water down the brutality of the West. Beth Dutton’s razor-sharp wit, Rip Wheeler’s unwavering loyalty, and John Dutton’s fight to protect his land are all born of Sheridan’s insistence on telling stories with emotional truth. The massive success of Yellowstone is proof that the lessons he learned in that difficult early film were not wasted but instead transformed into a philosophy that resonates with millions of viewers. 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