Cole Hauser Weighs In On Possible ‘Yellowstone’ Spinoff With Kelly Reilly – Breaking News Updates

Yellowstone might ending with Season 5, but Taylor Sheridan’s universe may be expanding yet again. With several spinoff series already under Sheridan’s belt – including 1883, 1923, and the upcoming 2024 and 1944 – series star Cole Hauser recently hinted at a new Yellowstone spinoff series focused on the characters played by himself and Kelly Reilly, Rip Wheeler and Beth Dutton.

Hauser hinted at the continued romance of Rip and Beth while opening up about the upcoming conclusion of the record-breaking Kevin Costner-starring western drama, which is set to begin production on the final episodes sometime this year. Hauser told Country Living that he is “so focused on finishing Yellowstone the way it needs to be finished right now – well, just the show itself” before going on to tease that “that there’s some stuff on the horizon” for his character.

“We’ll see where that leads. But I know that there’s some stuff on the horizon when it comes to Taylor’s ideas for Kelly Reilly and myself, and some of the other cast,” he shared. “I’m excited to see where he goes creatively with that. But right now it’s just: Let’s finish strong; let’s do the best we can.”

Hauser and Reilly have starred on Yellowstone since the show’s premiere back in 2018. The series stars Costner as John Dutton, a sixth-generation patriarch of the Dutton family who owns the largest ranch in the United States. News broke in May 2023 that the show would be ending with its current fifth season.

Hauser’s teasing of future projects in the Yellowstone universe is not the first time a possibly Rip and Beth-centered spinoff has been teased. Speaking to Radio Times in March, Reilly said that while she just cares “about finishing [the main show] with as much care and as much passion and as much love as I can muster to put into it…there “are discussions, you know” about the future of current characters. However, Reilly warned, “don’t believe everything you read. It’s just nonsense. But we’re gonna, you know, let’s wait and see. I don’t have an answer right now. But we’ll see.”

The current and final season of Yellowstone premiered in November 2022, with the midseason finale dropping in January 2023. The final batch of episodes are currently set for a November 2024 release. While the future of a Rip and Beth centered spinoff remain unclear, Paramount Network in June confirmed 2024 as the first Yellowstone sequel. The show will be set in the present day following the events of the flagship series. The prequel series 1944 is also in the works.

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Many remember his role as David Hale on Sons of Anarchy, but Sheridan often recalls the difficulty of being an actor-for-hire, constantly at the mercy of casting decisions and executives. That frustration eventually pushed him to transition into writing and directing, though the early years of that career shift were anything but glamorous. The movie in question—his so-called “most challenging project”—was not the type of Hollywood breakthrough most writers dream about. It wasn’t a high-profile studio film, nor was it an indie darling that won accolades at Sundance. Instead, it was a grueling, underfunded project that Sheridan now looks back on with a mix of humility and appreciation. What made it challenging was not just the lack of resources, but the disconnect between his creative vision and the machinery of filmmaking that often stripped away authenticity. For Sheridan, who would later build Yellowstone around authenticity to ranch life and cowboy culture, that clash was a painful but essential lesson. In his own words, Sheridan noted that the experience taught him “what not to do” more than anything else. As he attempted to find his voice as a writer and storyteller, he was confronted with the realities of production—the compromises, the meddling, and the dilution of themes he cared about. It was, by his account, deeply frustrating. And yet, it hardened him. It forced him to recognize that if he wanted to tell the kinds of stories that mattered to him, he would need to do it his own way, on his own terms. That mindset is what would later lead him to insist on creative control when developing Yellowstone for Paramount. Sheridan’s quip—“I wish it was sexier than that”—speaks to his no-nonsense personality. Fans may imagine a dramatic, cinematic origin story for a man who now commands Hollywood power, but Sheridan is quick to undercut that fantasy. His truth is less glamorous: long days, tight budgets, difficult compromises, and a lingering sense of dissatisfaction. But embedded in that struggle was the foundation for the empire he would later build. The experience shaped his philosophy about storytelling. Sheridan realized that authenticity mattered more than spectacle. His later works—Sicario, Hell or High Water, and Wind River—reflect that commitment to grounded realism, unflinching grit, and morally complex characters. Without the sting of that difficult film, he may not have pursued the stripped-down, emotionally raw style that has now become his trademark. More importantly, it taught Sheridan about resilience. In Hollywood, many careers die after a bad experience. Scripts get shelved, directors burn out, and writers compromise until their voices are unrecognizable. Sheridan chose the opposite path. Instead of giving up or bowing to pressure, he doubled down on the importance of staying true to himself. That resilience echoes in the stories he writes—characters who endure pain, fight against impossible odds, and cling to their values even when the world tells them otherwise. Yellowstone is the ultimate culmination of those lessons. The series embodies Sheridan’s belief in authenticity, from its rugged depiction of ranch life to its refusal to water down the brutality of the West. Beth Dutton’s razor-sharp wit, Rip Wheeler’s unwavering loyalty, and John Dutton’s fight to protect his land are all born of Sheridan’s insistence on telling stories with emotional truth. The massive success of Yellowstone is proof that the lessons he learned in that difficult early film were not wasted but instead transformed into a philosophy that resonates with millions of viewers. 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